Participa en el Tema, Plugins: Algunos Plugins en el foro Librerias para FruityLoops Studio Producer; T-RackS® 24
Description
If you record music with digital gear, you already know how challenging it can be to get ...
If you record music with digital gear, you already know how challenging it can be to get that warm, broad, analog sound. Yet, up until now, there's never been a way to achieve this leaving the digital domain and piping your music through expensive analog gear.
T-RackS® 24 has everything you need to create superb, tube-toned masters on your desktop.
Its rich, warm sound starts with algorithms based on true analog circuitry. Its familiar interface makes it easy to control five powerful processors: EQ, compressor, limiter, soft-clipping output stage, and a complete mastering suite. Enhances mix frequencies, stereo images, dynamic range and gives your audio a seamless, top notch sound.
FLEXIBILE AUDIO I/O
Whether you use just your computer and headphones, a multi-channel ASIO sound card, an external DJ mixer, a Numark USB mixer, or a combination of hardware, Cue has multiple configuration options ready and waiting for you to plug into. As simple or as detailed as you want it to be, Cue’s flexible audio configuration is ready to fit in with your setup.
RHYTHM WINDOW
See your music: with a visual waveform overlay of beats, you can have 100% mixing accuracy. Multiple zoom levels for beat matching precision and complete control.
BROWSE, SEARCH, SORT
Navigate your music collection quickly and intuitively. Remember the title but not the artist? Search! Type in a keyword and you’re taken immediately to your results. Sort by title, artist, BPM, and more. Add songs to the Playlist for quick access and Automix capabilities.
HARDWARE COMPATIBILITY
Introduce your computer to the Numark iCDX™ for ultimate hands-on control with 2 way display and extended control. Use your MIDI controller; assign any and all of Cue’s controls like crossfader, gain, pitch adjust, samples, hot cues, and more to any standard MIDI controller.
SKINS
Choose the interface look you want based on your style of mixing.
BASIC
Just want 2 decks? Use this skin for powerful simplicity.
POWER AUDIO
Ready for effects and more? Power audio takes you to the next level.
INTERNAL MIXER
Need to travel light? For more on-screen EQ and Fader control, use the Internal Mixer interface.
SPICE IT UP
Choose from a variety of built-in effects or create your own plug-in. Activate as many effects at once as you like. With fully adjustable effect parameters, you have the power to add just a hint of Flanger or a blast of Backspin.
SCRATCH IT
Scratch and Pitch Bend directly with your mouse. Just click and drag the Control Dome to take charge of the decks. Choose between BPM or pitch % views by clicking on the dome.
SAMPLE AND LOOP IT
Create beat-matched samples and loops on the fly. Choose from preset samples or load your own. Beatlock your samples so they trigger and play on beat every time. Loop quickly and easily from 1/8th note to 16 bars, and with SmartLoop, you’re automatically on beat.
RECORD AND BROADCAST
Record your mix, burn it to a CD, and give it to your friends. Or go global with a click of the mouse – Broadcast! Invite a worldwide audience to your performance by using Cue’s built-in broadcast functionality.
KARAOKE
With CDG support, you can easily have the crowd singing along.
VIDEO
Mix and scratch your favorite video and audio files interchangeably with video transitions and effects. With Cue, every DJ is also a VJ. Project it on a wall, show it on your TV, or view it on a monitor. Make your set come alive with video!
BPM Detection Engine works with any style of music from House, Hip Hop, and R&B to Rock, Salsa, and Techno
Sync automatically so that your tracks stay on beat and in time
Search your personal music library quickly and easily
Save an infinite number of cue points per song
Multiple skins. Choose your look to match your style of mixing
Headphone preview and adjustable cue/mix volume
Choose from a variety of video effects and transitions
Legendary sound and fantastic possibilities: The KOMPLEXER VST synthesizer
With virtual analog and wavetable synthesis, the KOMPLEXER VST synthesizer sets new standards for VSTi instruments. Featuring classic synth sound powered by 5 oscillators, 2 multimode filters, 4 ADSDSR envelopes and 3 LFOs, the KOMPLEXER VST plays in the premier league of VST instruments. Its ability to import Waldorf microQ® sounds underscores the KOMPLEXER VST’s status as an exceptional sound-sculpting engine.
Courtesy of the application’s groundbreaking macro controllers, presets can be modified to suit every taste using just eight parameters, an improvement in handling ease that not only newbies will welcome. Power users naturally also have unrestricted access to all of the sophisticated synthesis engine’s 400 parameters.
Features such as the advanced arpeggiator and LFO 3’s synchronizable user-specific waveform serve to create striking soundscapes that adapt automatically to the given song tempo. With KOMPLEXER VST, a further legendary, professional synthesizer is now available in any VSTi-compatible software.
Thanks to its seamless integration into VST environments, the KOMPLEXER VST offers a further range of practical features such as full automation.
Naturally, the KOMPLEXER VST can also be used in standalone mode, without VST host software.
Enrich your musical expression with the groundbreaking sounds of the KOMPLEXER VST!
Virtual analog synthesizer for Windows
Legendary sound
Up to five oscillators per voice with sync and ring modulation
Additional wavetable synthesis
Imports Waldorf microQ® sounds
Eight macro controllers
Up to 256 voices
Unrestricted access to the sound synthesis engine
Two multimode filters (8 types, including comb filter)
Flexible modulation matrix
Four ADSDSR envelopes
Three LFOs (LFO3 with user waveform)
Extensive arpeggiator functions with user pattern
Five effect units offering delay, reverb, chorus, phaser, distortion
Full automation support, controllable via MIDI controller
VST plug-in for Windows 98, 2000, XP (32/64)
---------------------------------------------------------------------------- Virtual DJ Pro v4.2 R1
VirtualDJ is the hottest MP3 mixing software, targeting every DJ from bedroom DJs to professional superstars like Carl Cox.
With its breakthrough BeatLock engine, your songs will always stay in the beat, and you can work your mixes incredibly faster than any other DJ could.
The automatic seamless loop engine and the brand new synchronised sampler will let you perform astounding remixes live, with no preparation at all.
The visual representation and the cues allow you to clearly see the song's structure, and never be surprised by a break anymore.
The vinyl controls will let you scratch like on a real turntable, except that with the beatlock engine your scratches will never end out of the beat.
Add to that an infinite number of cue points you can save for each songs, a bunch of wonderful effects automatically beat-synchronised.
Add also several interfaces to suit everybody from the beginner to the professional DJ, the possibility to record your mixes to burn them on CDs, to broadcast on the Internet and have your own radio station, to save your CDs directly in MP3, to use a headphone to preview the songs or an external mixtable to perform in a club.
Lastly, enter the new era of DJs by mixing video clips (DVD, DivX, MPEG...) which you can send on a giant screen.
Contemporary Classic
FM synthesis has played a huge role in music culture over
the last few decades. The FM8 picks up where its
award-winning predecessor, the FM7, left off taking FM
synthesis even further. FM8's emphasis on ease-of-use
brings a high degree of simplicity to the otherwise
intricate process of FM synthesis. The powerful new audio
engine delivers unsurpassed quality, generating a livelier,
more energetic sound than ever before.
Synthesis From The Start
A central aspect of FM8 is usability. The "Easy Edit Page"
offers a clearly designed interface with simple controls
that adjust more complex parameters automatically, allowing
you to take a far more musical approach to FM synthesis.
The more detailed editing pages have been improved for
easier handling and are all accessible with just one click.
FM8 lets you play straight away!
Beyond Frequency Modulation
The FM8 offers an unprecedented range of features and
effects. The classic metallic leads, crystalline chimes,
tight basses and enchanting rhythmic sounds are just the
beginning. A unique arpeggiator, a revolutionary sound
morphing feature and a large selection of new, charismatic
effects add countless sound-shaping possibilities. The
sonic potential of FM8 goes well beyond the confines of
conventional FM synthesis.
Instilled With Inspiration
Included with FM8 are over 960 ready-to-play factory
presets. From clean, dynamic, percussive sounds to pads,
leads, brass and piano sounds, the presets exemplify the
strengths of FM synthesis. Also included are a number of
effect rack, sound morphing and arpeggio presets. The
integrated KoreSound® Browser makes managing the
KORE-configured presets fast and easy. Simply search and
you will find - instantly.
Following the huge success of Albino, Rob Papen has teamed up
with music software developer Jon Ayres to bring you his
latest cross-fusion virtual synthesizer BLUE.
This fresh new synth delivers FM Synthesis, Phase Distortion
Synthesis, Wave Shaping Synthesis and Subtractive Synthesis is
one creative combination!
BLUE has six oscillators which can be connected in various
ways, two analogue style modelled stereo filters, an enormous
range of processing and modulation options and an incredibly
powerful sequencer, all brought together with the
inspirational Rob Papen presets covering a wide range of
musical styles.
Despite these heavy features, BLUE is so easy-to-use thanks to
its user interface and the innovative 'easy edit' page for
quick sound changes!
BLUE promises to exceed your expectations!
Loops, grooves and breakbeats: Powerful sonic building blocks, and great inspirational triggers. No matter what style of music you're into, you can be sure there's a loop out there that can spice your track up a little, or even lift it to completely new heights. But handling loops and grooves equals hard work. Hours of pitching and stretching just to get a loop to fit your song's tempo and timing. And if you need to change the key, you're in for even more work. In the end, your loops are controlling you, instead of vice versa. But help is on its way. From Propellerhead Software comes a suite of programs that gives you full creative control over your looped material!
Welcome to ReCycle 2.1 - The Ultimate Toolkit for Sampled Grooves.
ReCycle goes way beyond simply solving groove problems and cleaning up your loop act - it's a highly creative tool that helps you make the most of your grooves. In simple terms, ReCycle lets you do with sampled loops what you can do with beats programmed from individual drum sounds - like alter the tempo, or replace sounds and process them individually. ReCycle turns concrete-rigid loops into musical modeling clay, allowing you, the loopist, to do pretty much what you desire.
Tempo and Timing
Automate the tedious process of making a sampled groove fit the tempo of your song.
Change the tempo of a groove without altering its pitch.
Change the timing of the groove - you can even quantize it!
Tuning and Detuning
Change the pitch of a groove without altering its tempo.
Make pitched grooves (like guitar riffs) fit into songs in other keys.
Remodel the Groove!
Remove and/or replace any sound inside the sampled groove without altering its feel.
Create variations and fills out of a single loop.
Alter the volume of the individual sounds in the groove.
Processing
Use ReCycle's Envelope, Transient Shaper and EQ to energize your loop.
Send different sounds in the groove to different sampler outputs or audio channels, for individual processing.
Alter the ambience of a groove.
Automatically normalize the levels of the sounds in the groove for optimum sound quality.
Go beyond the Loop!
Automatically isolate and extract individual sounds out of long samples.
Use the feel of the groove to quantize other MIDI recordings.
Filterscape is a flexible sound bending plug-in. It's a parametric equalizer. It's a virtual analog filter. It's a delay effect. It's a modulation device. It's all at once - and more. It offers you the tools and flexibility to spice up your music in ways beyond imagination.
Most of all, Filterscape is great fun to use and to listen to. It's addictive!
But it doesn't stop here. Filterscape comes with 2 sister plugins (included!), one of which is Filterscape VA, a virtual analog synthesizer based on Filterscape's modular architecture, and Filterscape Q6, a 6-band equalizer with dynamic capabilities!
GFlux is a multi mode modulated filter. But this simple description fails to do justice to the complex sound design tool that GFlux is!
We started with four independant filters, each capable of outputing Low Pass, Band Pass, High Pass, Notch and Peak filter types simultaneously. Then we added four modulation blocks to give expression to your sound.
Each modulation block can be either, A drawable LFO, the loop envelope, and ADSR or an envelope follower. Every filter parameter is modulatable from these sources via the extensive modulation matrix. You can also apply arithmetic functions to your control signals to vary the sound even more! For example you could multiply two modulators together, or choose the maximum modulation value from two sources!
The core of GFlux is the concept of the 'flow'. Each flow represents a different filter layout, controlling which filters feed to others. The flows range from simple 8 pole filters right through to insane serial / parallel networks. These flows cover almost all the possibilities for routing and combined with the separate level control for each filter state you can create amazingly complex filter responses. We've also thrown in everything that you would expect from a top flight plugin - Loads of presets (over 80), Full midi and host control of all sound altering parameters
Code: http://lix.in/1ee798
Ozone 3 includes all the tools you need to master the commercial sound in seconds. Professionally designed presets and the acclaimed Ozone Mastering Guide walk you step by step through making radio-ready masters.
The process of mastering ranges from correcting mistakes made in the mix to preparing a recording for target listening environments. Like a final coat of polish, mastering makes the difference between a good sounding mix and a professional sounding master. Ozone includes integrated tools for each step of the process: add broad equalization to balance the tone, multiband compression to control the dynamics, harmonic excitation to inject punch and sparkle, stereo imaging to sculpt the sound stage, loudness maximization to raise the level of the entire track to the standard for commercial use, and dither to maintain every last bit of quality. Since Ozone was designed to address the mastering process, all the components work together to help you put that final professional sound on a project. With Ozone 3, be prepared to love your sound.
5 professional quality audio plug-ins in a single bundle.
CX1V - compressor/expander
Great simplicity of use, and several features not commonly available in compressors (look ahead, hard/soft knee, above threshold easy monitoring). The CX1V compressor/expander offers an extremely transparent action with a natural and smooth response.
L1V - limiter/maximizer
Its transparent action allows it to be used both to control the dynamics of single tracks and to maximize the level of the final mix. Particular care has been taken in creating an algorithm that assures high precision limiting action.
GEQ15V, GEQ31V - constant Q graphic equalizers
12 dB of boost or cut at any of, respectively, 15 or 31 bands centered around International Standards Organization (ISO) 2/3 or 1/3 octave frequencies from 20Hz to 20KHz. The warmth of classic analog devices with the clarity and the accuracy of the digital domain processing.
PEQ1V - parametric equalizer
An intuitive interface that drives a powerful constant Q, minimum phase equalization algorithm. The tool of choice to control the equalizations of vocal parts, instruments or complex mixes.
The superior audio quality and ease of use make the Equo Pack the best option for mastering purposes and mixes.
The Waves Diamond Bundle is our definitive collection of audio processing tools. The Diamond Bundle now includes Q-Clone, Waves Tune LT, L3 Multimaximizer, and IR-L Convolution Reverb as well as all the plug-ins found in Waves Platinum , Restoration , and Transform bundles—a total of 40 essential processors. Diamond brings unparalleled signal processing power to your studio, for tracking, mixing, mastering, creative sound design, and audio restoration. From dynamics processing, equalization, and reverb to pitch correction, spatial imaging, and beyond, Waves Diamond Bundle is a must-have for every serious studio.
Phoscyon is a vintage analogue modeled Bassline synthesizer with a unique low pass filter with an 18db/oct dumping and constant resonance amplitude throughout the entire frequency domain. The filter sounds phenomenal! Hear that squelch and you’ll swear its analogue! We’ve also equipped it with a fully customizable integrated arpeggiator (essential in electronic music) as well as an exhaustively analogue modeled distortion effect, crucial for those screaming acid bass lines!
Professional DJ Software
TRAKTOR 3 is a versatile and comprehensive digital DJing solution designed to meet the most professional of standards. The third generation of this award-winning software offers breath-taking sound quality coupled with an unprecedented array of new features – sure to get any party rocking. Discover the potential of TRAKTOR 3 and blend a new dimension of creativity into your mix.
GigaStudio 3 is the much anticpated new version of the best and most powerful sampler. Available in three versions, ORCHESTRA, ENSEMBLE, and SOLO, GigaStudio 3 offers up to unlimited polyphony, 96kHz/24-bit sample support, ReWire support, VST hosting, realtime convolution modeling and a new look and feel for improved usability and workflow. Naturally, it retains the features that made GigaStudio the professional choice for sampling, such as disk streaming, the lowest latency of any sampler and the best sound libraries in the world.
GigaStudio 3.0 is a stand-alone Windows application that uses hard disk streaming to create the most realistic sampled instruments ever created. It offers access to the finest sound libraries ever assembled, from extensive orchestral collections, detailed piano samples, rich basses, rare keyboards and much more.
PSP 608 MD is perhaps the most fully featured delay plug-in available on the market (VST, AudioUnit and RTAS format for Mac OSX Universal Binary and VST, DirectX and RTAS format for Windows). We have striven to offer you a creative tool that is not only functional, but inspiring. Each tap has selectable feedback, stereo image and position, delay time, multimode filter, modulation, drive/tape saturation, and reverb. Moreover, the feedback and drive can be placed at the beginning or end of the signal chain for even more sound design options! The modulation section consists of both an LFO and Envelope follower, and the tape saturation algorithm is taken from our renowned mastering processors. And of course all this can be done at any bit depth and sample rate up to 24-bit, 192kHz, and be fully automated via MIDI and any host sequencer.
PSP Nitro is the ultimate multimode filter plug-in in VST, DirectX, RTAS format for Windows; AudioUnit, VST, RTAS format for Mac OSX Universal Binary. It offers many filter types derived from analog prototypes in addition to other useful processing blocks such as phaser, bit-crusher/downsampler, waveshaper and interpolated delay blocks. These can be connected to each other using virtually any routing scheme. The advanced control signal generators are capable of modulating most of the processing parameters, making this plug-in an essential tool for sound design and experimental purposes.
PSP 84 is a high-quality processor, capable of producing a wide variety of delay-based effects. Two independent delay lines operating with variable sampling rate and precise tape saturation algorithm with adjustable gain, allow for convincingly sounding simulation of tape delay, including all the exciting effects resulting from tape speed instability. A filtration section consisting of three 2nd order switchable resonant filter types can be used to process input, feedback or wet signal. The adjustable slope of the filter ranges from a gentle curve, which is useful for simulating high frequency absorption typical for tape delay and wet signal equalization to an extremely steep curve with a high cutoff frequency peak, making all the wild wah-wah and resonance effects easily available. Delay line sampling rate and filter cutoff can be modulated by any of the 5 LFO waveforms that are automatically synchronized to the sequencer tempo or envelope follower with adjustable sensitivity and attack/release. Moreover, the PSP 84 contains the fully functional reverb unit, with simplified settings carefully tuned to exactly reproduce the sound of classic spring and plate reverberators
EVE was made to recreate in the virtual world of softsynths the exciting and immediate experience of the early age of electronics in pop, rock and jazz music from the 1960’s and 1970’s
In this creative period in music history, many musicians started to employ the innovative sounds of the ‘electric keyboards’ which were newly available for use on stage and in the studio: Rhodes electric pianos, Hammond and Vox organs, Hohner clavinets, strings machines such as the Arp Solina string ensemble, Moog synthesizers, and all those that are now considered ‘classics’.
Not only were keyboards a part of this revolution in popular music, but the use of effects and recording techniques for layering, blending and manipulating sounds transformed the way music was produced and conceptualized: Tape based delay lines, rotating speaker cabinets, guitar distortion pedals, wah wah, phasing, flanging and other effects became an integral part of the process of sound design.
EVE takes these vintage sounds and this early approach to ‘electronic’ music production as a starting point, and brings this general philosophy and sound into the modern virtual environment with an intuitive and powerful interface. At the core of the EVE approach to sound design is the basic structure of 3 sample-playing layers, 2 multi-effect racks, and a selected library of multisampled ‘electric keyboards’.
This enables the blending of several waveforms and instruments into a vintage wall of sound, or alternatively, the use of the 3 layers multi-timbrally as a vintage workstation. These layers can then be further processed through the EVE’s powerful multi-effect racks.
There is a well designed system of parameters for tweaking instruments and effects towards musical results, with all parameters accessible on a single page for easy and intuitive sound design.
Using EVE 2 is just like having the vintage boxes at your fingertips.
What's EVE 2?
EVE 2 adds several enhancements and new synthesis features to the simple yet powerful EVE design. All the original functionality and ease of use is still there, with the following changes and additions –
• The original LP resonant filter per layer in EVE has been replaced by a multimode filter (LP, HP, BP, BR) with control over cut, resonance and envelope modulation, as well as a special ‘fractal’ modulation parameter. This expanded filter design provides further tools for balanced layering of sounds, and deep pads.
• FM/AM modulation capabilities per layer have been added via the ~FM switch matrix. FM and AM can be used to add interesting harmonic distortions to the original instruments, or to manipulate new sounds from the existing samples.
• The vintage multi-effect racks have been updated, with an expanded ECHO rack, and a new overdrive effect in the MODULATOR rack, as well as various enhancements to other effects.
• New routing options between the layers and the effects allow the MODULATOR rack to function in both ‘send’ and ‘insert’ modes.
• EVE 2 now supports the loading of WusikSND SoundSets, opening up a whole range of extra sample content that can be loaded into the EVE engine. Due to synth design differences, EVE 2 does not load Wusik presets (FXP, FXB, BNK or WusikPRST files). For EVE 2 to read WusikSND SoundSets, they must be installed into the ‘EVE Data’ directory in any subfolder.
• The EVE 2 default sound library features new SoundSets and presets in addition to those that shipped with EVE.
EVE Features
3 wave player sections with:
* ADSR envelope
* Velocity sens
* Double KeyTrack scaling
* LP (LowPass) filter with resonance
* 3 band equalizer
* Pitch, Amp and Pan LFOs
* Pitch envelope enable
* Semitone transpose
* Fine pitch
* Send to FX 1
* Send to FX 2
* Volume
* Mute switch
* VU meter
* Velocity Zone: min and max
* Key Zone : high and low
* Polytimbric over 3 parts
* 3 modes for each LFO: Free, Sync, Inv.
* FM and AM per Osc.
--------------------------------------------------------------- Crysonic newB Aural Acoustics Based Bass Enhancer VST
Based on 'Aural Acoustic' principals newB is a bass enhancer and
maximizer VST plug-in that can be used to apply from subtle to
extreme bass enhancement and generation during Mastering, Mixing,
Tracking and Live performance. newB increases the perceived amount
of bass by adding / mixing specific sub-harmonic content from the
original bass, thereby allowing our brains to hear lower-
frequencies than may exist in the original audio material.
The newB process conceptually enhances the bass performance of
high and low quality consumer speaker systems ranging from Hi-fi
to multimedia speakers found in products such as laptops.
Spectra'Phy™ -is the first Mastering grade look-ahead brickwall limiter of it's type to utilize the principals of mechanical physics for Audio processing. The innovative approach represents a paradigm shift in the way these types of DSP effects have been designed to date. The unique method employed easily allows the mastering engineer to achieve maximum perceived "loudness" transparently without ever getting overshoots (Digital-over's) with minimum audible distortion. The characteristics of the final audio can quickly be adjusted to taste, be it analog or digital with only two rotary-dials. The drive / color dial component also allows the addition of analog saturation when "running hot", this can naturally be disabled if not required. Spectraphy has been designed for ease of use and efficiency in mind without sacrificing creative freedom.
SPECTRA 'Q™ Forte is to enhance specific areas of an instrument's or any audio materials frequency range. Improving overall balance of the harmonic presentation of music, instrument or vocals contributes significantly to it's clarity and richness. Coupling this ability is the inclusion of a vintage inspired EQ, novel transparent loudness maximization with smooth peak limiting and 4-band low-frequency phase tweaking in one package.
The comprehensive feature set of SPECTRA 'Q™ is intended and designed to empower audio professionals in the field of mastering and mixing music productions achieve great commercial release quality results quickly and easily. The scope and uniqueness of SPECTRA 'Q™ opens a myriad of possible uses not only in the mastering and mixing stages alone but also during live applications, enhancing vocals, guitar, keyboard, Virtual instrument recordings, AMP simulation, exciter, enhancer, vitalizer type effects.
SPECTRALIVE V2.0™ The first VST to utilize our spectral vitality process SPECTRALIVE V2.0™ is "the" definitive secret weapon for attaining that professional "commercial" sound. The Spectralive™ process is a novel and proprietary approach for imparting Vitality and warmth to all your audio material
Master, Mix, Track your music on an even playing field regardless of your monitor speakers setup or quality.
INTRODUCING SPECTRALIVE NXT™ - Utilizing a completely new engine with 10 algorithms and processors designed for high end professional use. Taking the lead from our very popular Spectralive VST with over 2500+ users worldwide, SPECTRALIVE NXT incorporates many new features including a semi-parametric Analog based fine-tuning EQ powered by the second generation Crysonic Spectral Audio Vitalizer.
SPECTRALIVE NXT is "the" definitive secret weapon for attaining that professional "commercial" sound. The Spectralive™ process is a novel and proprietary approach for imparting Vitality and warmth to all your audio material
Master, Mix, Track your music on an even playing field regardless of your monitor speakers setup or quality.
---------------------------------------------------- Waves SS 4000 VST DX RTAS.v1.1
Developed under license from Solid State Logic, The Waves SSL 4000 Collection includes three meticulously modeled plug-ins based on the legendary SSL 4000 Series: the SSL E-Channel, the SSL G-Master Buss Compressor, and the SSL G-Equalizer.
Waves engineers spent more than a year analyzing and modeling the distinctive sonic characteristics of SL 4000 factory reference consoles and components provided by Solid State Logic. These plug-ins sound so close to the original consoles, even experts who work with SSL boards day in and day out can’t tell the difference.
WaveLab 5 is the only all-in-one solution for high resolution stereo and multi-channel audio editing, mastering, CD/DVD burning and for complete CD or DVD Audio production in outstanding audio quality. WaveLab is not just a top level mastering tool, it also offers capabilities for multimedia, sound design with samplers, radio broadcasts, and computer telephony applications. This is why WaveLab is the leading application for digital audio editing.
Melodyne is currently a stand-alone application PC and its purpose in life is to analyse audio minutely and then process it such that almost everything about it can be altered at will. It can shift the pitch of monophonic audio without changing duration, change duration or tempo with or without changing pitch, and manipulate formants to alter voice or instrument character or to improve the character of shifted audio. It allows you to create harmonies from one vocal, or indeed construct whole new melodies, as well as making vocals and instruments do things they couldn't normally do. It can force audio of different tempos to run at one tempo, quantise audio timing, correct pitching errors across an entire track or one note at a time, superimpose pitch information from one melody onto another without affecting lyrics, alter amplitude, edit transitions between notes, and even alter vibrato. While it usually requires monophonic audio, it works on drum and percussion loops and will also process strummed guitar. Sounds impressive?
Browse: CDXTRACT is an intuitive and very fast browser for all your sampler files and audio files. It displays the waveform of the samples as well as the mapping of the programs. CDXTRACT can read from most IDE, SCSI and USB drives including CD, ZIP, Jazz and MO. It also read from Virtual Disks.
Listen: CDXTRACT 4 is the only software that includes a real time audio player capable of playing all the loop modes found in some hardware samplers like the reverse loops, the alternate loops and even the de-synchronized alternate loops. And thanks to its magic player you can now listen to an Akai, Roland or EMU disc as if it were a regular audio CD.
Convert: CDXTRACT converts your sampler files to the most popular formats with a very high accuracy. All kind of conversions are possible, single, bulk but also CDXTRACT includes a batch converter that allows you to select your favorite programs or samples and convert them with a few mouse clicks. Unlike the other converters, CDXTRACT has no limitation of destination formats for one specific source format. All source formats can be converted to all destination formats.
Innovate: With CDXTRACT 4 you can combine several programs together in various manners. You can merge programs, you can combine several programs on top of each other (velocity stacking) or use a controler to switch from one program to another. Also you can combine 2 programs with a crossfade on a controler. And thanks to its multi-context technology, you can do all that with programs from many different locations.
Bank: With CDXTRACT 4.1 you can create your own banks for the following formats: Soundfont, Giga, Halion and VSampler.
Search: Have you ever wasted time looking for a specific sound in all your sampler disks? CDXTRACT includes a hierarchical database that can store an unlimited number of Akai, Roland and EMU disks. You can search for any program or sample by simply entering a few keywords, such as: "snap", "guit", "bass", "drum" ... and CDXTRACT will give you a detailed list of all the items that match your request.
Performance: CDXTRACT needs only 20 Megs to run and is extremely fast. It uses its own file cache technology for all disk I/O which gives faster performance than the standard Microsoft and Apple file cache systems. Moreover CDXTRACT performs all the conversions on the fly without any single temp file which makes it at least 2 times faster than any other converters using temp files.
Source formats (program + sample) Destination formats (program + sample)
Akai S1000 / S3000 EMU Soundfont
Roland S7xx
MESA
EMU III / ESI / IV / EOS Akai S5000 / S6000
Akai S5000 / S6000 NI Reaktor map
EMU Soundfont Creamware Pulsar STS
Akai MPC 2000/3000 Tascam GigaSampler/Studio
Tascam GigaSampler/Studio Emagic EXS24
Emagic EXS24 Steinberg Halion
Digidesign SampleCell VSampler
Creamware Pulsar STS NI Kontakt
Kurzweil PropellerHeads Reason NN-XT
NI Kontakt SampleCell (Mac only)
Recycle NI Battery
DS-404 (PC only)
Source formats (sample only) Destination formats (sample only)
Wav Wav
Aiff Aiff
Akai MPC .snd MP3 (PC only)
Creamware Pulsar .s
Sound Designer II (Mac only)
PSP MasterQ is a high quality parametric equalizer designed to operate at sampling rates ranging from 44.1 to 192kHz .The plug-in (VST, DirectX and RTAS for Windows; AudioUnit, VST, RTAS for Mac OS X (Universal Binary) contains seven filters: 12 or 24 dB/oct low cut and high cut filters, low shelf and high shelf filters, and low mid, middle and high mid peaking filters—all of them with adjustable frequency and Q factor over a wide range. The plug-in also includes a high precision EQ graph to display an overview of the EQ curve, as well as display the individual characteristics of each filter.
WizooVerb W2 is a completely new kind of creative true-stereo room emulator that lets you freely combine the realism of impulse-based reverb with the flexibility of algorithmic reverb. Exclusive HDIR technology brings you world-class performance spaces with a totally new level of excellence. WizooVerb W2 can access an extensive collection of standard IR models as well. And Wizoo’s proprietary A.I.R. algorithmic reverb technology delivers an unprecedented combination of fidelity and malleability. While you may never need to go beyond the 100 stunning presets that ship with WizooVerb W2, it’s all completely editable for total creative expression. If you’re going to invest in one full-featured reverb, WizooVerb W2 gives you incredible creative options, sound quality and value that you can’t get anywhere else. Compatible with VST, RTAS and AU hosts as well as stand-alone operation.
The latest incarnation of our flagship 'Studio' version sports a great new interface with improved functionality and ease of use in every dept.
Pound for pound it delivers more features and performance than any other "virtual studio" on the market.
Standard Features:
1000 Track - Audio / Midi / VSTi & MP3 sequencing, recording, mixing and mastering.
Multi-track Audio Output and Input.
Asio.
User programmable Midi enviroment.
Sysex, Midi Clock and MTC support.
Yamaha XG support.
Auto Time-strech & Pitch correction.
Audio Editor & recycler.
6 Octave note arrangement & step/pattern style drum machine.
Midi hardware controller support.
Supports - VST , Direct X and native plug-in effects.
Max 32Bit / 192kHz playback and recording quality.
The most advanced member of the SFX Machine family of audio effects plug-ins, SFX Machine Pro allows you to create your own audio effects from scratch. See what our customers say! SFX Machine Pro includes:
A modular synthesis Preset Editor
Host Tempo Sync
An Output Limiter
Over 300 Presets
With over 50 New Presets!
and a new interface
SFX Machine Pro is like zillions of plug-ins in one! The advanced Preset Editor gives you direct access to the modular synthesis parameters that make up a preset.
The Host Tempo Sync feature lets you match LFO frequencies and delay times to your sequencer's tempo.
Sequel to the guitar amp and effects plug-in, raising the standard to an unprecedented level of hi-quality emulation and extreme flexibility.
A completely redesigned application, AmpliTube 2 maintains its traditional ease of use while offering tremendously enhanced new features like:
Completely redesigned interface and enhanced DSP engine, including our new exclusive DSM™ technology for ultra-accurate analog circuitry emulations.
5 separate modules including Tuner, Stomp, Amp-head, Miked Cabinet and Rack effects with over 70 guitar-gear emulations included.
Build your own custom Amp with the extreme flexibility of combining between separate Pre, EQ, Power Amp, Cabinet + Microphone modeling which make up more than 20,000 possible amp combinations.
21 stomp effects available from accurate modeling of rare vintage effects pedals.
11 rack effects including hi-quality parametric EQ, reverb, delay, chorus, compressor, pitch-shifter, harmonizer, stereo-widener, rotary speaker and more…
2 simultaneous guitar-rigs available with the choice of series or parallel connection between the modules.
Super-flexible routing for Stomp and Rack Effects with 20 simultaneous configurable effects’ slots.
Advanced preset management with A/B comparison, keyword search function, favorites and more.
The AmpliTube 2 interface now presents a gorgeous photorealistic replica of modeled amps and effects that are familiar to every guitarist for immediate sound recognition. Any parameter you need is never more than 2 clicks away, making AmpliTube 2 the fastest effects processor available for the realization of even the most complex guitar sound.
The interface is supported by leading DSP modeling which improves the award winning sound of AmpliTube to a new standard of realism. AmpliTube 2 uses a new ultra-accurate analog modeling technology developed by IK engineers with years of research in circuitry modeling: DSM™ or “Dynamic-Saturation Modeling”. With DSM™ analog circuits are emulated down to a detail of finesse which cannot be offered by any other effects modeler: setting a new industry standard for state of the art analog modeling.
Thanks to DSM™ AmpliTube 2, for the first time, brings out dynamic nuances that a guitarist expects from their most coveted hardware gear. AmpliTube 2 offers the unlimited amount of authentic tonal character that guitarists are looking for.
In addition, Cabinet simulation is refined even more and is now able to respond more like the original speakers down to the very smallest sonic detail. Plus, greatly enhanced microphone modeling with different timbral responses give the final touch to a virtual rig that never before sounds so much like the real thing.
Five Seperate Modules!
The original AmpliTube modules (Stomp, Amp and Rack) have been expanded to 5 individual components, separate Amp Head and Mic cabinet, plus a stomp pedal board, tuner and rack effects.
20,000 posibble amp combinations!
AmpliTube 2 allows separate components of the guitar amp such as the pre-amp, the EQ and cabinet to be mixed and matched allowing the possibility of building your very own customized amp. With 14 pre-amp models, 14 Eqs, 7 power amps, 16 cabinets and 6 different microphones, an unbelievable 20,000 amp combinations are possible. This unique AmpliTube 2 feature offers guitarists the ability to get more sounds than any other guitar modeling processor, be it hardware or software.
11 rack effects
Rack effects are stereo effects, inserted at the end of the AmpliTube 2 chain.
Up to 8 simultaneous rack effects can be used at once within the plug-in. Included are: hi-quality parametric EQs, reverbs, delays, choruses, compressors, pitch-shifters, harmonizer, stereo-enhancers, rotary speakers and more…
------------------------------------------------------- IZotope pHATmatik PRO VSTi v1.51
Once your loop is loaded into pHATmatik PRO, it becomes an expressive instrument in its own right. Love the sound of the original groove, but the timing isn't quite right? Change it. Quickly, seamlessly, and without effort. Use the groove of one loop to trigger the samples of another. Create entirely new grooves from stale loop libraries that you thought would never again see the light of day. pHATmatik PRO picks up where your DAW leaves off: instead of just playing back a loop as static audio, pHATmatik PRO lets you play your loop like an instrument. Create fills, breakdowns, or completely new grooves from your loops.
Control Freak
pHATmatik PRO gives the musician an unprecedented amount of control over each sound in the loop. Did you ever think you could put reverb on just the snares? Well now you can. With pHATmatik PRO's four stereo outs, you can buss each snare, kick, or syllable to a different channel in your host and process it to your heart's content. Your way. Your music. No boundaries.
Grab a slice
Each 'slice' in your loop has independent settings for gain, pan, pitch, and a super-pHAT 2-pole multimode resonant filter. There are fully independent ADSR envelopes for gain, pitch, and filter cutoff per slice. In addition, each slice has an independent loop mode and loop points: reverse slices on the fly, ping-pong them back and forth, or turn that trash-can snare into a haunting granular soundscape. No limits.
All your effect...
If playing back audio seamlessly at any tempo and mind-boggling per-slice options aren't enough, each of pHATmatik PRO's sixteen channels features a comprehensive master section: tempo-synced delay; two sample-accurate, tempo-synced LFOs; a truly mind-bending comb filter; evil distortion and an analog-modeled multi-mode resonant filter. Of course everything can be controlled by envelopes, and pHATmatik PRO's simple but powerful modulation matrix makes any routing configuration you can imagine a snap. With all this sound mangling power, a single loop can generate hundreds of unrecognizable variations in just a few minutes of tweaking.
- VST 2.4 compatibility.
- New voice allocation gives about 30 % performance
improvement
- Sample key / loop range imported on sample load.
Bugfixes
- Ableton Live 6: fixed crash on loading VST version.
- Cubase 4: Mouse pointer offset fixed.
- Pattern selection with MIDI notes works now in
plugin versions too.
- MIDI out: Note offs sometimes not sent.
- FM switch on OSC1 .. OSC3: weird behaviour on
preset load fixed.
- RTAS/ProTools: internal Sequencer/Arpeggiator
working now.
- Sequencer: Highlighting current measure working now
for all parts.
- Multisegment envelopes: some rare editing problems
fixed.
- Sample engine: occasional crashes on stereo samples
fixed.
- Arpeggiator works now also with the internal
keyboard.
- Drag & Drop patterns in sequencer does no longer
interrupt sequence play.
-------------------------------------------------- OhmForce fx_all Full
Ohmboyz Delay—Acclaimed echo device. Four taps, two delay lines, resonant filters, and distortion within the feedback loops.
Predatohm Distortion—An innovative multiband dynamics processor followed by a distortion module and a guitar feedback emulator.
Hematohm Frequency Shifter—An original effect transforming timbres. Create weird beats with its integrated delay line!
Mobilohm Phaser—the Godphaser: four parallel analog-modeled phasing units following a sharp tone shaper. Three phasing algorithms available, manual phasing control.
Quad Frohmage Filterbank—Multiband analog filter bank and distortion, with modulations everywhere.
Slayer 2 starts from where its predecessor left off. In particular, the physical model of the guitar has been completely revamped, improving the quality of the simulation dramatically. Not only does Slayer 2 sound a whole lot better, it is also much more flexible.
For example:
Up to 16 effects can now be used simultaneously; half of them before, and half of them after the amplifier. You can place any of the sixteen available stomp-box effects in any of the sixteen available effect slots. When you want to change the order of the effects, just drag'n'drop.
Astonishingly authentic acoustic guitars can be created by altering the size and material used for the guitar-body.
There are also new playing-aids - two new string-types, two new amplifiers and two new cabinets.
The interface graphics have been revamped too. Slayer 2 has a completely new, elegant and refreshing look. The whole look'n'feel makes it much easier and faster to use.
Supplied as a bonus plug-in, a special treat is the effects-only version of Slayer 2. With its own virtual amplifiers and effect pedals, you can even use Slayer 2 on your own guitar! Play your guitar live and Slayer 2 will mangle, smash and contort it to meet your needs.*
Sonic Charge µTonic (pronounced "MicroTonic" is a VST / AU plug-in for Windows and Mac featuring a unique drum and percussion synthesizer combined with a pattern based drum-machine engine.
You can use µTonic as a sound module to play drum sounds from your MIDI keyboard or sequencer, or you can use the built-in pattern engine to play drum patterns in sync with your sequencer. The sound of µTonic is 100% synthetic and rendered in real-time. No samples or pre-rendered waveforms are used.
Sonic Charge µTonic was created by Magnus Lidström. Magnus is best known for his work with Propellerhead Software. In particular, he was the brain behind the highly acclaimed Malström synthesizer introduced in Reason 2.0.
Overview
The impOSCar is modelled on the unique and wonderfully esoteric British synthesiser, the OSCar.
OSCar was manufactured between 1983 and 1986 and was used to great effect by artists such as Ultravox, Jean-Michel Jarre, Stevie Wonder, Underworld, Orbital and even Oscar Peterson. Because it was released at the same time as MIDI and early affordable polyphonic synthesisers affordable the instrument wasn't a huge commercial success and only 2000 were produced before the company ceased trading.
However, to those in the know, OSCar has been a highly prized item and the secret weapon in many programmer's sonic arsenal. In a sea of monophonic subtractive synths available at that time it was unique and refreshing in many ways: It looked interesting, it had an additive synthesis section, it had memories, it was duophonic and monophonic and, with the exception of the filter, it was all digital. All of these features contributed to its sound which could be summed up in one word- Awesome. From sublime to screaming, from clean and clinical to phat as phuck, the OSCar did it all.
The impOSCar was two years in production and since its release it'amount of s become one of the most respected virtual synthesisers on the market. All the notable features of the original instrument are evident here as well as several enhancements including a more intuitive additive section, polyphony, increased LFO waveforms and a chorus and delay effects section.
The filters are a particular highlight of the impOSCar and feature two stunning 12dB filters running in series, a filter overdrive and sublime separation control. With these and the huge waveforms on offer the impOSCar is capable of a range of sounds far beyond that of any standard subtractive synthesiser.
Combining power, elegance, control, and unbeatable sounds, Rapture is one of the most exciting synthesizers to hit the market in years. Capable of producing rich, hypnotic, and rhythmic basses, leads, and pads, Rapture is perfect for performing and designing the modern synthesized sounds igniting today’s pop, dance, and electronic music.
Rapture's non-aliasing resampling engine technology sets a new standard for sound quality, and produces pristine, high-resolution rendering and playback. Its advanced modulation capabilities include over 40 Step Generators per patch, providing an intuitive interface for generating rhythmic sequences.
With its beautifully designed interface and extensive sound manipulation capabilities, Rapture is capable of producing the rich, hypnotic, and rhythmic basses, leads, and pads destined to put the spirit back into your music.
The ARP 2600 is one of the finest analog synthesizers ever made. Celebrated by the most respected musicians over the last thirty years, it is capable of creating amazing sounds, heard in numerous popular tunes from Herbie Hancock to Stevie Wonder. With its sound palette varying from heavy drum n’ bass stabs to angular arpeggiated electro bass lines, whatever your chosen genre, the 2600 is a truly versatile sound creation tool, which still finds a good place in today’s music.
Plugins: Algunos Plugins 
is a VST / AU plug-in for Windows and Mac featuring a unique drum and percussion synthesizer combined with a pattern based drum-machine engine. 
